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Goldirocks had its California premiere at the Silver Lake Film Festival in Los Angeles at the end of September 2004! I went down to Cali to par-tay West Coast style and happily, so did Dru Viergever (Darby). Dru’s parents Hans & Barbara came too, were totally supportive and got some good sight-seeing in while they were at it. So glad you could come down you two! |
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| The festival was held in Hollywood which was a bit confusing since it’s the Silver Lake Film Festival, but I wasn’t complaining. Goldirocks looked and sounded totally kick-ass with the Dolby theatre in the ArcLight Cinema. The projection was state of the art, possibly the best (and loudest) I’ve ever seen & heard the film. Thanks for everyone who came out – Hans & Barbara, Leigh, Chandra, Nikki & friends, Matt, Brett, Roy & Tim...and anyone I have left out. |
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| After our screening we caught the last song of the punk rock band playing across the way from the theatre, then headed out for some cocktails on the Cat & Fiddle patio. It was great to catch up with the L.A gang we met in Sedona (Matt, Brett, Mark – you rock! And where was Justin??). Dru and I made some new friends that night too - Roy is a screenwriter and rocks in a band called Automatic Head Detonator (www.automaticheaddetonator.com), Timothy Norris is a very cool photographer (www.timothynorris.com), & and Brian Donovan made a delightful documentary about high school kids learning to write and perform called You Got Issues. |
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| The opening night screening was a film called The Yes Men which is about activists who pose as the W.T.O and give bogus speeches around the world. Hilarious and chilling. Other good films included The End of Suburbia, Weapon of Mass Destruction and The Ballad of Pony Boy which really rocked. The programmers picked an excellent collection of films, and threw some wicked Hollywood parties –yay Greg & Roger! Dru and I drank gin every night because it was free – the festival sponsor was Bombay Sapphire – and how it flowed! I only wished I could have brought my hosts Ellen and Eric Tunney who actually enjoy the stuff. |
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I’m looking forward to heading back to Los Angeles for three months this winter with Tanya Henley.
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This festival marked the first time that Goldirocks was invited to screen in conjunction with a Sticky Rice rock show! I knew eventually someone would want to capitalize on the director being in a band, and this was the place. Tina and I flew directly from Winnipeg to Phoenix where we met up with Sticky Rice drummer Cheyenne Bloomfield and bass player Niva Chow. We rented a car and began shedding layers of clothes on the two hour drive to the small, arty town of Sedona, famous for its stunning views and energy vortexes.
“From Phoenix Arizona all the way to Sedona, Philadelphia, Atlanta, L.A....” was our anthem as we reached our first destination, Random Acts of Coffee. We met all the wonderful Random Acts folks – Dylan, Corky, Allie, set up our gear and did our Sticky sound check. Then quickly off to our ranch style hotel, the Poco Diablo Radisson to relax for a bit before heading to the Harkins theatre for the 7pm screening of Goldirocks. |
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The screening was totally packed which was awesome. The Q & A went very well, though I was a bit self conscious having to answer questions all dolled up in my Sticky Rice makeup. The gig was a mere half hour after the screening. At the theatre we met festival co-directors Josif Bean and Mindy Mendelsohn and thanked them for helping us escape our Canadian winter.
The gig was relaxed and fun, with a mostly local crowd and some film festival out-of-towners. No doubt people were there to see if we lived up to the poster that dubbed us “Toronto’s hottest indie band”. Hilarious. After our set we watched Corky and Allie’s band “She Did It” who were awesome, and witnessed the wicked double drumming of Moretti & Jung, Dylan and Lou’s drum duo extravaganza. Here we also met Doug Friedlander who became our official host in Sedona. You rock Doug!! |
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| Doug drove us around town that night, pointing out sites along the way under the full moon. First stop, the filmmaker party at Canyon Breeze, a pedestrian mall with a big bar in the middle. L.A. filmmakers Matt Wedgley, Mark & Brett Shady, and Justin Gross became our pals at this party and were promoting their short film “Blotter”. We all carried on afterward to a new age party (another cup of tea anyone?), then back to “Blotter” central, a hotel room party bizarrely located in room #921 – the same number as Nathaniel and Marc’s hotel room party in Winnipeg. Freaky, no? Must be the vortexes... |
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| With all our hard work behind us, we slept in the next day and had a big breakfast at The Coffee Pot. Pictured here – me eating ground beef on toast. Not quite as gross as it sounds, but pretty close. Then it was time to check out the oxygen bar at Random Acts. Mmm mmm good air, dude. The L.A. boys were here by coincidence on their way back to Cali, and it was nice to say good-bye properly without the Sticky make-up. Here we all are in the sun in the Random Acts parking lot. Thanks for the fun times guys! |
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| Later that day we picked Doug up from his gallery job and he took us on a hike up to “Snoopy Hill” which you can see pictured here – he’s laying on his back on top of his doghouse. The hike was beautiful, the weather was perfect, and we made it all the way to the top, some of us with a bit more vertigo than others. Stay close to the rock Cheyenne! We misjudged the time a bit on the way down and had to light our way with cell phones at one point. Mexican dinner was followed by a lovely nightcap at Billy’s place, a local artist who creates amazing sculptures and masks with found objects and detailed beading. Thanks for your hospitality Billy! |
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| Next day we got up early and drove to the Grand Canyon, with stops in Flagstaff for lunch, and sightseeing at the Wupatki trails which featured ruins from 1100 AD. The Canyon itself was absolutely breathtaking, and the sun shone all day long. We cruised along the ridge and stopped in almost all of the lookouts, ending at the final stop right at sunset – a perfectly timed day. None of us wanted to go home the next day. |
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This was my second time at the NSI Film Exchange with Lisa, and Tina’s first. Tina was terrified about the reports of minus 30 degree weather, but we were all happy to bask in the relative heat wave of minus 10. Woo hoo! Lisa and I were there in 2001 when we were completing the NSI Feature First development program, so it felt great to return triumphantly with a finished product. The Film Exchange is an all-Canadian film festival, so it’s an ideal forum to meet peers and heroes that work in our industry - not to mention the wicked feather mattresses at the Fort Garry Hotel, or Fort Geddy, as I like to call it.
It was old home week for Features First grads – we got to catch up with Nathaniel Geary, Marc Stephenson and Wendy Hyman of “On The Corner” and enjoy the hometown response to Liz Jarvis and Gary Yates’s “Seven Times Lucky.” I’m so proud to be in the company of these excellent Canadian filmmakers. Other films we liked were David ‘Sudz’ Sutherland’s “Love, Sex & Eating the Bones” and Peter Wellington’s “Luck.” Producer Deborah Macdonald’s great short film “My Original Sin” was also featured at the festival, directed by Lucie Pagé. Deborah was the production manager on Goldirocks. Also in attendance were directors Craig MacNaughton and Chris McCawley promoting their fantastic short “Dog Given Rights”, a must-see film destined to be a musical classic. |
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As usual, we visited all the local record stores to tell them all about Goldirocks. The Music Trader in Osbourne Village, Into The Music in the Exchange district – very cool stores that will be stocking the official Goldirocks soundtrack CD when it hits the nation May 25, 2004. The soundtrack is coming out on independent label Rubber Road Records, distributed by Maple Nationwide. 22 tracks of pure gold, baby! Check it out!
The press were very good to us in Winnipeg. There were cool articles about Goldirocks in the Uniter, The Uptown, the Manitoban, The Winnipeg Sun, and the Winnipeg Free Press. We also did a very funny interview with Terry David Mulligan for Star TV. Go Mullyman! It was a delight to meet Olga Krywyj from UMFM in person after a very in depth interview over the airwaves from Toronto. Tina, Lisa and I headed out to that station for a live on-air interview with DJ James Borsaw, who came out to introduce our film at our late night screening. |
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| The festival hosted a cocktail party in honour of the Features First Program, introducing the new participants and celebrating the films that have made it to fruition – Goldirocks, On The Corner and Seven Times Lucky. Shayla Howell from the Independent Film Channel was there and interviewed us about the success of the program. That interview will air soon on the IFC. |
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| One tradition of the NSI Film Exchange is the the late night hotel room party!!! We have Curtis Marshall to thank for bringing us the after hours booze and fun times, and thanks to everyone who hosted one of these extravaganzas – especially Nathaniel & Marc for the post-Goldirocks bash. Good times! Tina and I had to get on a plane quite smashed at about 5am that morning – no sleep ‘til Sedona! |
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| It was a bumpy flight from Toronto to Fredericton that fateful November 8th, 2003. Okay, so maybe I was a little hung over after raising hell at the Weakerthans show the night before (you guys rock!), but I never expected to need the ‘air sickness’ bag in front of me. The flight attendants wouldn’t let anyone get up because of the turbulence, so it was my only choice. Of course I was sitting beside a psychiatrist the whole way. “Why do you suppose you drink so much?” she kept asking. Good question, doc. |
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| Safely on ground I met the festival director Sebastien MacLean and festival chair Lloyd Salmone, pictured here at a Mexican dinner that night with The Breadmaker director Anita McGee and the Toronto International Film Festival Film Circuit’s Blair Haynes. Thanks for the fun times you guys. Blair and I saw a great documentary about one-man bands called “I am the Band” that had wicked footage of Hasil Adkins hanging out in his own scrappy backyard, among other surprising one-man band performances. |
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| The Goldirocks screening was a bit under-promoted because I had no time to stir up interest at the local record stores etc, but the folks who were there loved it, and some of them came out to see Bionic that night on my recommendation. At dinner I met Norean Goldston, a local filmmaker who moved to Fredericton from New York City after 9/11.Quite a culture shock I would imagine, but Norean loves New Brunswick and has made it her home, making films through the New Brunswick Filmmaker’s Co-operative. She and I carried on to Bugaboo Creek where Bionic were about to hit the stage. Jonathan, Ian, Tim and Paul rocked the roof of the ol’ Bugaboo, and we closed the place down doing shots in honour of Jonathan’s birthday. See Quicktime for a happy birthday song to Jonathan. |
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| I think every touring rock band in the world should go to São Paulo. The kids in São Paulo really wanna rock. I know it seems like I say that about every town, but São Paulo was truly a rock city. For one thing, there are something like 22 million people living there. There are so many tall buildings it blew my mind. And tons of hip, cool people who understand where we¹re coming from with Goldirocks. |
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Our screenings were so fun. We had really great turn outs, and were riveted
by the Portuguese subtitles flashing by. Our favourite translations were
Adler's line "Get to the point Riddler" where "Riddler" translated into "Sr.
Enigma" and another line where "jerks" translated into "cretinos". Speaking
of cretinos, the Ramones are really popular down there. We saw more Ramones
shirts in the clubs there than we see here. Most importantly, the audience got all the jokes and loved the music. We gave out tons of CDs after the show, and had all kinds of young people coming up to us after to tell us about their bands, and tell us what cool clubs to go to. We went to D-Edge and Funhouse very cool venues. Funhouse is literally a house, with a bar and stage downstairs and a lounge upstairs with the best jukebox. They also have wicked radio down there. They don't have the stupid segregation of music the way we do. 107.3 São Paulo plays Radio Birdman, Barry White, Velvet Underground and Teen Idles all in the same set. Radio you actually want to listen to what a novelty. |
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The festival organizers were very cool. Etienne picked us up at the airport,
Angela organized our press, Justine helped us get settled and introduced our
film. Justine has her own company called Big Bonsai where she produces
documentaries, the most recent being a making of City of God, which sounds
really good. Bia introduced our film on the other day and Ivan who was
really cool too. We hung out with Jody Shapiro of Rhombus Media, Toronto. It was nice to see a familiar face, and I think he felt the same way, as he is traveling the globe solo style, promoting Guy Maddin's The Saddest Music in the World. Rock on Jody! |
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| Tina and I both had our birthdays while in São Paulo. Woo hoo! My birthday dinner was the best sushi I¹ve ever had, in a restaurant called Kabuki Mask in a fun neighbourhood called Vila Madelena. Tina's celebration was in a bizarre Œrain forest themed restaurant that was half indoors, half outdoors. Oh, to live in a warm climate. Oh, to eat gourmet food every day. In Brazil, they eat very late in the evening, so the festival had dinners scheduled for us between 10pm and midnight on many nights. This was good for Tina who eats late all the time at home. Not so great for me because I have to eat every four hours. There was much stopping at various Œlanchonette's for deep fried treats between meals. |
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We saw some interesting films while we were there too. Goodbye Lenin
(Germany, Wolfgang Becker), I hate São Paulo (Brazil/USA, Dardo Todelo
Barros), The Barbeque People. (Israel, David Ofek/Yossi Madmony). The
theatre venues were great. Some theatres had really comfortable leather
chairs that didn't flip up (cool!), and one had a glassed in room at the
back where you could smoke and order drinks from the bar while you watch the
film. It was great to meet filmmakers from around the world, watch their
films and talk to them about it. Also nice to see people we¹d met at other
festivals. Nice to see Igor Zaritzki (Devôt) again whom we had met in Cairo. The press was great. We had two television interviews and an interview with the national paper Folha São Paulo. All the reporters were into the concept of the film, and said they would help us if the movie comes out in Brazil. We hope to get distribution there, and had some meetings with various distributors who might be interested. We will keep you posted on that. Everyone agreed that there is an audience for Goldirocks in Brazil. |
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| After São Paulo, the four of us took off for Rio de Janeiro for a little holiday. We had heard the crime in Rio was bad, and indeed, Tanya and Lisa fought for their purses at one point when some creepy looking kids swarmed them. Yikes! Luckily Lisa had a full water bottle for defense. But they got to let loose too, at a giant Samba party. Pictured here, Tanya and Lisa dancing the night away on a good solid Caiparinha buzz. Gimme that opener, pass me the Cachaça. |
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The world tour continues. This stop Cairo. What a crazy town wow. Insane
traffic, bad pollution, wonderful people. Fantastic food, delicious sheesha,
adorable camels... We stayed at the Grand Hyatt which was the most beautiful hotel we'd ever seen. They had three gourmet meals for us every day in the dining room. Platters and plates of every kind of food you could want, French cheese plates, fresh bread, fresh squeezed juices and a French pastry chef who made like 15 desserts every lunch and dinner. Unbelievable. |
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First night was a boat tour along the Nile. We sat with a Hungarian
filmmaking team who were at the festival with Down by Love. Egeszsegedre! We
were really glad to be at a table with Hungarians because they know how to
drink!! People don't drink in Cairo. I guess because of the Islam influence,
but even the Christian raised people we met were non-drinkers. Good for the
health, bad for the partiers. It is especially noticeable when you've so
recently been to such boozy festivals as Montréal and Calgary. Also on the
Nile cruise we met the festival director Cherif El Shoubashy who was quick
to say that he would like to have more Canadian films at the festival next
year. Funnily enough, Goldirocks was the only Canadian film. Another new pal
was Igor Zaritzki, a Berlin filmmaker who also came to São Paulo with his
film Devôt. We were never left alone to wander Cairo, as that was not recommended. Instead we had the coolest gang of guides that took us where we needed to go. These are young people who speak multiple languages and are just generally fun to be with. Ahmed, Ramez, Fadi, Dina, Mohammed, Ihab, Mahmoud we love you! |
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Our first screening was at the Cosmos Cinema downtown. Ramez and Ahmed took
us there in a cab which broke down in the middle of crazy traffic. We almost
got killed switching cabs, then Ramez was concerned about Tina's T-shirt
which was riding up on her (no skin, please!), but finally made it to the
cinema where, after a thorough metal detector test, we went inside. People in Cairo have a different idea of cinema etiquette than we do here in North America. It¹s a social thing over there. People talking to each other, answering their very loud cell phones, walking in and out of the theatre during the film. At first we thought it was just our movie, but as we attended more screenings, we realized that¹s just the way it is. But apparently someone was paying attention because our press conference yielded some relevant questions. The moderator Ayman Nabih gets my vote for best quote: "I can tell that you like rock and roll very much because your film is full of rocks." Yes indeed, Ayman. After the press conference we were swarmed by people who wanted us to sign their Goldirocks promo CDs, including some of the armed security guards from the building who apparently love the rock! I don't think I'd ever get used to men with ouzis at my local movie theatre. |
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Ahmed took us to the Pyramids in Giza. We rented a horse and a camel for the
one hour tour, and switched halfway so that we could both experience sitting
on the camel, whose name was Charlie Brown. Man, you are really high up when
you're sitting on a camel. It's crazy! Pictured here are Tina and myself
posing together atop Charlie with Kheops pyramid in the background. Another fabulous dinner had us dining with Jehane Noujaim, an Egyptian-American filmmaker who is usually based in New York City. She is in Egypt working on a new film with her boyfriend, cinematographer/editor Hani, who also happens to be the first and last Mr. Egypt. Needless to say, a thrill for Tina and me. Jehane was attending the festival with her film Startup.com. Pictured with Jehane is Sabine, our fantastic press liaison who got us more press than we could have hoped for in a country with such a different language. Italian filmmaker Carlo Luglio was also at the festival with his film North Cape which won the Italian American film festival award in Los Angeles. Go Carlo! |
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International cineaste Sam Nasr took us to Khan Al-Khalili, the oldest
bazaar in Cairo. Sam is a Lebanese filmmaker and critic living in Montréal,
and one of the coolest men we know. We met him at the Montréal World Film
Festival where we had our premiere, so it was nice to see him again. He has
friends with boutiques in Khan Al-Khalili and helped us bargain Egyptian
style. Tina got the hang of it herself, but I just let Sam do the talking
for me. Then we had some mint tea and smoked sheesha in one of the outdoor
cafés. Sheesha is delicious. We had a half hour TV interview for Nile TV which was quite a trip. We took a very bumpy bus ride to Media City where they have television studios for every country in the middle east. It's a huge Los Angeles style gated monstrosity complete with fake towns for shooting. Our hosts were very glamourous, and amazingly adept at translating our English interview on the spot into Arabic. Ahmed and Mohammed took us to "Mohammed Ali Street" which was the musical instrument/furniture/car parts district. We never would have been able to find this area without help. It was wild. Lots of crazy trucks piled so, so high with car parts it was actually frightening. I wanted to buy an oud (a lute an Egyptian guitar) and so Mohammed took us to this neighbourhood and helped me negotiate the sale. In the end I bought a beautiful oud made from Rosewood and Egyptian walnut. It's so pretty forget ab-oud it! |
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We went to the Egyptian film Women¹s Love (Khaled El-Haggar) which was at
the Cosmos Theatre. When we got to the theatre, it was a complete mob scene
at the front doors. All the armed guards were yelling at the crowd who were
trying to squeeze in the doors for a glimpse at the Egyptian stars who were
all in attendance for the gala. Four guides created a human chain with their
arms in order for the filmmakers with passes to get in it was pretty
crazy. At one point we actually ran back down to the street because the
yelling was so intense we thought maybe one of the guards might pull out
their ouzi from behind their back. But the film was good we really liked
it. A romantic comedy without booze or sex. Bizarre! And of course, even
with the full attendance and reverence for the actors, people still answered
their cell phones all during the movie. We ventured out on our own once, to go to the Canadian Embassy where we met with Jean-Philippe Tachdjian, the cultural affairs officer, Walid Khoury, public affairs officer and Dessouki Said of International Media consulting. We recognized the Canadian Embassy right away because it was the only square, plain marble building among all the beautiful old estates in this neighbourhood. Seriously, it looked like we had suddenly rounded the corner to stumble onto Yonge & Eglinton. Oh well. |
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Because this was literally the only time we ventured out by ourselves, we
were at a loss when it came to crossing the street. After standing on the
curb for like ten minutes waiting for the traffic to abate, finally I just
grabbed Tina's hand and started running! It was quite hysterical we
couldn't stop laughing afterwards. It also felt strange to be embassadors of
Canada ourselves, being the only Canadian film at the Cairo Festival.
Jean-Philippe told us about a Canadian film festival in Cairo that he has
developed which kicked off last year with Atom Egoyan in attendance. Maybe
next year for us. On the night we left for the airport, our airport Œlimo had to be pushed down the hotel driveway to get started. We thought for sure it would break down on the way, but it held out. We would definitely go back to the Cairo International Film Festival. What a trip. |
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| Tina and I had a fantastic time at the Calgary International Film Festival. We were impressed by the festival as soon as we got there. We were picked us up from the airport and given cool stuff in our delegate bags - free facials!! The weather was clear, sunny and warm every single day we were there which was so great for bar hopping and stickering the city. |
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| We went to some cool record stores - Mega Tunes, Sloth Records and Hot Wax – handing out flyers and tickets to Goldirocks. We were thrilled at the crowd that came out to the movie. The kids wanna rock in Calgary!!! Our screening on Oct. 2 was fantastic – an enthusiastic crowd who asked great questions in the Q&A. Jeff Collins from CBC radio introduced the film – the same guy who was running a contest on the air with Goldirocks tickets as the prize. There was also a shuttle bus of people who came to the screening as part of a package deal with local bar the Ship & Anchor. They sent tipsy people to come and enjoy the rock! |
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| Goldirocks was screened at the oldest theatre in Calgary - The Plaza Theatre - an old style theatre with awesome detail and great projection (thank you Scott!). There was a couch in the front row reserved for volunteers who ran in at the last minute before the start of the show - cool! After the show we went to appear on CBC's Play with Jian Gomeshi. After that, on to the Kaboom Room inside the Uptown Theatre building which was this beautiful Art Deco building right out of a movie itself. |
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| The people of Calgary are so cool. It's a very laid back city where people love to watch movies. The theatres were packed for just about all the films - and we saw some great ones like Flyerman and A Problem with Fear. We also did much celebrating at restaurants and bars around town, namely fantastic steaks at Caesar's (see pic of Satan cooking our meat) and of course some great tunes & booze at the Night Gallery, Calgary's coolest rock bar. |
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| Goldirocks had its world premiere at the Montreal World Film Festival on Labour Day weekend 2003!! It was great to start our world tour there because it's only 6 hours from Toronto, so most people could jump in a car and go. In fact, we ran into each other at one of the rest stops along the road - party at the service station! We had most of the lead actors in attendance - Sahsa Ormond, Greg LeGros, Dru Viergever, Dominick Abrams - as well as co-producer Tanya Henley, associate producer in charge of rock Tina Cooper, composer John Critchley, producer Lisa Hayes and me, director Paula Tiberius. Also visiting for the event were investors Rod Anderson and Merike Lugus. |
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| We stayed in a hotel near the Place Des Arts where there were outdoor films in the evening watched by hundreds of film goers - a very romantic spectacle to see Singin' in the Rain projected on a huge outdoor screen with people gazing up, wrapped in cozy blankets. We couldn't have asked for a more ideal place to kick off our festival tour - a beautiful city that also happens to have a wicked rock scene!! |
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| The first night we raced to the Telefilm party where wine and food were flowing. We got to meet all the Telefilm people we had only talked to on the phone over the past few years, like Sylvain Levesque from the Festivals Bureau , and schmooze with local and international filmmakers. Lisa got to use her French, which got better with each glass of wine. Laissez les bon temps roulez! After much first-night merriment, we headed to The Main for smoked meat sandwiches which were a taste of heaven. You can't get meat like that in Toronto. In fact, we enjoyed ourselves so noticeably that the people at the next table gave us the rest of their food before they left. |
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| We took advantage of our festival passes and went to see some great films. My personal favourite was Anna Luif's "Little Girl Blue", a teen love story told with exquisite style, co-written by Luif and Micha Lewinsky who were both in attendance. Fun times drinking with those Zurich hipsters! Saturday night after our second screening, we all went to the Foufoune Electriques to hang out with Montreal's rock crowd. We gave the DJ a promo disc and he played "Let's Shake" for us which was cool - we've never heard our version in a public place before. |
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| During the days, Tina made sure to put up stickers everywhere she went, and distributed postcards to all the record stores. Thanks to this effort & considerable yakking and drinking with locals, by the time it came around to our third screening, we had gathered momentum with a bigger attendance. That last night we even got a one-man standing ovation. Thanks to you whoever you are - don't forget to tell your friends when it comes out in theatres! |
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